upcoming
Weathering by Faye Driscoll | Jacob’s Pillow Dance Festival
July 15-19, 2026 >> Tickets coming soon
In this latest creation by American director Faye Driscoll, she confronts us, to dizzying effect, with a sensory whirlwind. Weathering choreographs our bonds of reciprocity and seals a destiny which is of a necessarily common nature.
In the centre of the space is a white mass, which might be a simulated block of ice or an end-of-the-world raft. On it, ten performers use their intertwining bodies to slowly build up images, tableaux vivants born from a queer imaginary world. Fingers slip into a mouth, a trickle of drool drops down a back, hands grip a collar, and gasps evoke as much suffering as pleasure. In a cascade of chain reactions and interdependencies, each micro-event has repercussions on this group which is in a permanent state of morphing. Under a harsh light, the audience, seated all around, becomes completely caught up in this 360° installation of breaths, vocal harmonies, flesh, sensualities, smells, liquids and objects. In this way, Weathering makes perceptible what is much greater than us, namely that of a weather system that binds us all together, along with its disruptions, and frenzied, out-of-control occurrences. Amidst this chaos we are now facing up to and for which we share the responsibility, there is no turning back. Cataclysm has become more than just a probability.
Weathering by Faye Driscoll | Festival D’Automne
Le CENTQUARTRE-PARIS | Nov 12-15, 2025
November 12 at 8:00pm | Set up an alert (Sold Out)
November 13 at 8:00pm | Set up an alert (Sold Out)
November 14 at 8:00pm | Tickets
November 15 at 8:00pm | Tickets
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Weathering by Faye Driscoll | Toyko Performing Arts Festival
Autumn Meteorite Performing Arts Festival 2025
October 10th at 7:00pm
October 11th (Saturday) 8:00pm ★
October 12th (Sunday) 4:00pm ◎
★ = Related workshops will be held before the performance.
◎ = Audio guides will be available for those who are blind or have low vision.
In this 2023 OBIE award-winning piece, ten performers & crew enact a glacially morphing tableau vivant on a moving raft-like stage. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience surrounds the performers, close enough to smell the sweat and feel the steam of the spiraling scenes.
Weathering attempts to reckon with life in an uncanny age when the forces that shape our lives—and our futures—feel impossible to fully perceive. Drawing inspiration from the work of philosopher Timothy Morton, Driscoll and her team of collaborators ask: How do we feel the impact of earth-shaking events moving through us? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Weathering by Faye Driscoll | Philly Fringe Festival
Weathering at Philadelphia Fringe Festival | Sept 4-6, 2025
September 4 at 7:00pm
September 5 at 7:00pm
September 6 at 2:00pm
Faye Driscoll’s Weathering is a luminously living, breathing multi-sensory sculpture made of bodies, sounds, scents, liquids, and objects.
In this 2023 OBIE award-winning piece, ten performers & crew enact a glacially morphing tableau vivant on a moving raft-like stage. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience surrounds the performers, close enough to smell the sweat and feel the steam of the spiraling scenes.
Weathering attempts to reckon with life in an uncanny age when the forces that shape our lives—and our futures—feel impossible to fully perceive. Drawing inspiration from the work of philosopher Timothy Morton, Driscoll and her team of collaborators ask: How do we feel the impact of earth-shaking events moving through us? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
The Fly Honey Show @ Thalia Hall
The Fly Honeys are a femme-powered, queer celebratory, all-body loving, smoke-show of a performance project. Hyped as a ‘Chicago institution’, they make high-energy, campy, sticky, glittering productions through dance, comedy, spectacle, and a rotating cast of nationally lauded artists.
The Fly Honey Show opens its final run at Thalia Hall on July 10 for six nights over three weekends. Each weekend, a new lineup of special guest artists will join the Hive for intimate genre-bending performances by some of Chicago’s best singers, stand-ups, pole artists, dancers, drag performers + more, all hosted by our Queen Bee MCs, Mary Williamson and Melissa DuPrey.
The Fly Honey Show @ Thalia Hall
The Fly Honeys are a femme-powered, queer celebratory, all-body loving, smoke-show of a performance project. Hyped as a ‘Chicago institution’, they make high-energy, campy, sticky, glittering productions through dance, comedy, spectacle, and a rotating cast of nationally lauded artists.
The Fly Honey Show opens its final run at Thalia Hall on July 10 for six nights over three weekends. Each weekend, a new lineup of special guest artists will join the Hive for intimate genre-bending performances by some of Chicago’s best singers, stand-ups, pole artists, dancers, drag performers + more, all hosted by our Queen Bee MCs, Mary Williamson and Melissa DuPrey.
The Fly Honey Show @ Thalia Hall
The Fly Honeys are a femme-powered, queer celebratory, all-body loving, smoke-show of a performance project. Hyped as a ‘Chicago institution’, they make high-energy, campy, sticky, glittering productions through dance, comedy, spectacle, and a rotating cast of nationally lauded artists.
The Fly Honey Show opens its final run at Thalia Hall on July 10 for six nights over three weekends. Each weekend, a new lineup of special guest artists will join the Hive for intimate genre-bending performances by some of Chicago’s best singers, stand-ups, pole artists, dancers, drag performers + more, all hosted by our Queen Bee MCs, Mary Williamson and Melissa DuPrey.
The Fly Honey Show @ Thalia Hall
The Fly Honeys are a femme-powered, queer celebratory, all-body loving, smoke-show of a performance project. Hyped as a ‘Chicago institution’, they make high-energy, campy, sticky, glittering productions through dance, comedy, spectacle, and a rotating cast of nationally lauded artists.
The Fly Honey Show opens its final run at Thalia Hall on July 10 for six nights over three weekends. Each weekend, a new lineup of special guest artists will join the Hive for intimate genre-bending performances by some of Chicago’s best singers, stand-ups, pole artists, dancers, drag performers + more, all hosted by our Queen Bee MCs, Mary Williamson and Melissa DuPrey.
Weathering by Faye Driscoll | Festival De Marsaille
In Weathering, ten performers move and morph on a raft-like stage, surrounded by audiences that witness the awe-inspiring evolving tableau of bodies, sounds, scents, liquids, and objects. Dancers gradually shift from barely perceptible gestures to high-velocity sprints and collisions, in what choreographer Faye Driscoll terms “a multi-sensory flesh sculpture surging through the Anthropocene.” As a vocal score resonates throughout the space, dancers spill and careen into the spiral of a hurricane. The audience is drawn into this storm, close enough to smell the sweat, hear the labored breathing, and feel the rising energy of the living symphony of bodies. In our contemporary moment when movements and forces that shape lives can seem difficult to grasp, Driscoll and her collaborators ask: “How do we feel the impact of large events in the intimacy of our own bodies?”
Weathering by Faye Driscoll | REDCAT
In Weathering, ten performers move and morph on a raft-like stage, surrounded by audiences that witness the awe-inspiring evolving tableau of bodies, sounds, scents, liquids, and objects. Dancers gradually shift from barely perceptible gestures to high-velocity sprints and collisions, in what choreographer Faye Driscoll terms “a multi-sensory flesh sculpture surging through the Anthropocene.” As a vocal score resonates throughout the space, dancers spill and careen into the spiral of a hurricane. The audience is drawn into this storm, close enough to smell the sweat, hear the labored breathing, and feel the rising energy of the living symphony of bodies. In our contemporary moment when movements and forces that shape lives can seem difficult to grasp, Driscoll and her collaborators ask: “How do we feel the impact of large events in the intimacy of our own bodies?”
Please note: Weathering contains nudity and loud sounds. Limited amounts of essential oils will be used within the show. Please contact the Box Office for any specific allergen queries.
Weathering by Faye Driscoll | REDCAT
In Weathering, ten performers move and morph on a raft-like stage, surrounded by audiences that witness the awe-inspiring evolving tableau of bodies, sounds, scents, liquids, and objects. Dancers gradually shift from barely perceptible gestures to high-velocity sprints and collisions, in what choreographer Faye Driscoll terms “a multi-sensory flesh sculpture surging through the Anthropocene.” As a vocal score resonates throughout the space, dancers spill and careen into the spiral of a hurricane. The audience is drawn into this storm, close enough to smell the sweat, hear the labored breathing, and feel the rising energy of the living symphony of bodies. In our contemporary moment when movements and forces that shape lives can seem difficult to grasp, Driscoll and her collaborators ask: “How do we feel the impact of large events in the intimacy of our own bodies?”
Please note: Weathering contains nudity and loud sounds. Limited amounts of essential oils will be used within the show. Please contact the Box Office for any specific allergen queries.
Weathering by Faye Driscoll | REDCAT
In Weathering, ten performers move and morph on a raft-like stage, surrounded by audiences that witness the awe-inspiring evolving tableau of bodies, sounds, scents, liquids, and objects. Dancers gradually shift from barely perceptible gestures to high-velocity sprints and collisions, in what choreographer Faye Driscoll terms “a multi-sensory flesh sculpture surging through the Anthropocene.” As a vocal score resonates throughout the space, dancers spill and careen into the spiral of a hurricane. The audience is drawn into this storm, close enough to smell the sweat, hear the labored breathing, and feel the rising energy of the living symphony of bodies. In our contemporary moment when movements and forces that shape lives can seem difficult to grasp, Driscoll and her collaborators ask: “How do we feel the impact of large events in the intimacy of our own bodies?”
Please note: Weathering contains nudity and loud sounds. Limited amounts of essential oils will be used within the show. Please contact the Box Office for any specific allergen queries.
World Premiere: Knockout at Steppenwolf 1700 Theatre
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
World Premiere: Knockout at Steppenwolf 1700 Theatre
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
World Premiere: Knockout at Steppenwolf 1700 Theatre
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
World Premiere: Knockout at Steppenwolf 1700 Theatre (Industry Night)
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
World Premiere: Knockout at Steppenwolf 1700 Theatre
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
World Premiere: Knockout at Steppenwolf 1700 Theatre
A fierce duet between two women, Knockout is a self-possessed, ever-morphing cinematic dance work contending with the nature of the liminal : a provocative study of the space between desire, intimacy, strength, and survival.
Erin Kilmurray + Kara Brody’s choreographic graphic novel jump-cuts through a thrill-ride of fight sequences, self defense training, toothful camp, odd obsessions, and partnerships that sidestep tidy categorization.
Intoxicating, heart-stopping, and surreal, Knockout exists inside of the disorienting moment after the point of contact but just before hitting the floor.
TKO, baby.
Weathering at Institute for Contemporary Art, Boston MA
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Weathering at Teatro Municipal do Porto Rivoli, Porto, Portuga
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Weathering at Teatro do Bairro Alto | Lisbon, Portugal
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Oceanic Feeling by Faye Driscoll | Rockaway Beach, Queens, NY
A durational ritual across a vast expanse of ocean shoreline, Faye Driscoll’s Oceanic Feeling charts the slow descent of 16 performers from the dunes and the sand to the water. Seemingly spreading into infinity, the performers - spaced evenly across an almost unseeable distance, enact a sustaining loop of breath and sculptural forms that thwart perspective and seem to tilt our sense of the line between sand and sky.
An epic accumulation over time funnels the ritual to the mouth of the water where bodies connect, laying themselves down at the altar of the ocean. Bodies collide and merge with each other, the sand, the salt, the licking waves, and eventually are enveloped by the womb of the water. A public art work that takes place throughout the three stages of twilight, until the horizon line begins to blur, sky and water becoming one, the public is invited to move with the performance from beach to shore.
Our bodies are predominantly water, the water in our plasma mirrors the chemical structure of ocean water, we - all of us - crawled from ocean to land. Instead of poisoning the ocean, what if we crawled back in? Oceanic Feeling turns toward the ecological body, the animal body.In dissolving the edges between our bodies and those of others, our bodies and the body of the earth, the sky into the sea, Oceanic Feeling is a ritual of surrender, an offering of submergence, a return.
Weathering at Festival TransAmériques - FTA
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Weathering at Kunstenfestival
Faye Driscoll’s newest work Weathering is a multi-sensory flesh sculpture made of bodies, sounds, scents, liquids and objects. Ten people (dancers/singers/crew) enact a glacially morphing tableau vivant on a mobile raft-like stage surging through the Anthropocene. Their voices generate a score that crescendos and resonates as they clutch, careen and cleave, in a space too small to contain them, spilling off the edges. The audience embanks the performers, close enough to smell the sweat and feel the steam of the central, spiraling scenes. The symphonically active, luminously living work is a breathing, leaking, choreography of micro events within a momentum thrusting from just beyond the perceivable. Driscoll and her team of collaborators ask: How do we feel the impact of events moving through us which are so much larger? Yet are animating and activating our bodies all the time? How do we get closer to the impact? Can we slow down enough to feel the dust, hurt, howl, absence, spill, plume?
Right Here at Links Hall
Lucky Plush Productions presents Right Here, created by Melinda Jean Myers in collaboration with Lucky Plush ensemble members and composer/musician Lex Leto. This new dance-theater work explores how the body holds opposing states of motivation and apathy, abundance and loss, and hope and despair during a climate crisis. Through visual storytelling and shared choreographies, the ensemble seeks a roadmap for greater awareness and collective action.
Right Here at Links Hall
Lucky Plush Productions presents Right Here, created by Melinda Jean Myers in collaboration with Lucky Plush ensemble members and composer/musician Lex Leto. This new dance-theater work explores how the body holds opposing states of motivation and apathy, abundance and loss, and hope and despair during a climate crisis. Through visual storytelling and shared choreographies, the ensemble seeks a roadmap for greater awareness and collective action.
Right Here at Links Hall
Lucky Plush Productions presents Right Here, created by Melinda Jean Myers in collaboration with Lucky Plush ensemble members and composer/musician Lex Leto. This new dance-theater work explores how the body holds opposing states of motivation and apathy, abundance and loss, and hope and despair during a climate crisis. Through visual storytelling and shared choreographies, the ensemble seeks a roadmap for greater awareness and collective action.
Chicago Artist Spotlight Festival
Friday and Saturday, April 26-27, 7:30 p.m.
Tickets: $50 Festival 2-Week Pass, $30 Single Ticket or Choose Your Own Donation Amount
Note: $25 of the Festival Pass is a tax-deductible donation.
FREE for Columbia College Chicago Students
Award-winning Chicago artists showcase the vibrancy of Chicago’s dance ecosystem over a two-week festival that pushes concert dance in new ways. Dancemaker and poet J’Sun Howard (BFA Dance ‘19), kinetic philosopher Ayako Kato (USA Artist Fellow), pop-fringe creator Erin Kilmurray (BA Dance ‘08) with Kara Brody (Lucky Plush), and artist/activist SJ Swilley (Red Clay Dance Company) engage audiences on a journey through Grant Park and the Dance Center itself.